Copy.ai for Marketing

Copy.ai for copy variations, and the claim check every line passes before it's used.

Book a call See the work

A swimmer stands on a mirrored waterline under an inverted salt sky as titles read depth has no direction — Art Film

From the library

See every motion piece

A silver can hangs in a canyon of storm cloud as lightning strikes toward it and titles read defy gravity — Can Hero

A frosted bottle turns on a motorised plate while the set behind it changes from timber to neon street to snow to beach — Set Swap Demo

An angular waterfront stage building lights up at dusk before the camera moves inside to camera rigs facing a wall carrying the Unreal mark — Unreal Media Group Stage Approach

Green paint pours into a tin pail stenciled UNREAL MEDIA GROUP, then color splashes open into wings around a standing figure — Brand Art

Glossy chocolate desserts rise like balloons through a neon city canyon at night — Surreal Food

Products drift weightless inside a mirrored lift, aviators rest on a salt flat, and candles stack into a tower — Surreal Product Vignettes

01 · Overview

In short

Copy.ai for Marketing is one of many AI tools a marketing team can reach for. We pick tools per project, after the brief is approved, and check access and licensing before any of them touches your ads. Check its current terms with the provider. We write, direct and finish the ads, then hand captioned files to whoever runs your media. We don't buy media and we don't manage ad accounts.

Tools chosen per project
Licensing and access checked before use
Every file reviewed by our team
Captioned files, ready for your media team
Synthetic performers disclosed as synthetic

02

Where Copy.ai for Marketing fits, and where it doesn't

No single tool suits every brief. The brief, the source rights, the review steps and the delivery specs decide which tool we use. Whichever we use, we're responsible for the finished file.

03

How to judge Copy.ai for Marketing for ads

Look at what it outputs, what rights come with the output and who reviews it before it runs. We check access and licensing before any tool goes into a production plan.

04

What we make, with or without it

Short-form ads, creator-style UGC with disclosed synthetic performers, product demos, voiceover spots and brand films, edited, captioned and cut for each placement.

05

What you get back

Finished files cut for every placement in the scope, captions included, with a rights record for each asset. Revisions are set in the written scope, agreed before production. Synthetic performers are disclosed as synthetic. Not running ads? One-off projects and monthly content are quoted to scope: a fixed price for a project, a fixed monthly fee for content, both in a written scope before production.

Work with us

Two ways to work with us.

Performance plan

We make your ads at our cost.

For brands spending $50k or more a month on ads. You run the ads on your own accounts and pay the ad spend. Our fee is a share of your ad spend. Our fee grows only when you choose to spend more. See how it works.

Don’t like the ads? You don’t have to run them.

Not running ads?

One-off projectsand monthly content.

TV and connected TV spots, launch videos, brand and product films, AI UGC ads, image ads and social content. One-off projects are quoted to scope at a fixed price; monthly content is a fixed monthly fee. Both in a written scope before production.

Start a project

First step: Book a call. If it is a fit, you get the terms in writing before anything is produced.
Review: Revisions are set in the written scope, agreed before production. Every review checks product, claims and brand fit against your approved references.
Hand-off: Finished, captioned files handed to the team that runs your media. We never touch your ad account, your budgets or your campaigns, and we never guarantee advertising performance.
Rights: Synthetic performers are disclosed as synthetic, and no real person's likeness is used without a written rights agreement. Usage rights are written into the agreement before production, with a rights record for every asset.

Questions

Frequently asked questions

Do I have to know how to use Copy.ai for Marketing?

No. If a tool suits the project and is licensed for it, we operate it, and our team reviews every file before delivery.

Is this the only tool you use?

No. We pick tools per project, after checking access, licensing and review needs.

Where is Unreal Media Group based?

Miami and New York. We're a distributed studio, so nothing depends on where you are. We don't publish a street address.

How fast can we launch?

The delivery date is written into the scope; it depends on the formats, the number of assets and your review steps. A producer replies within one business day.